#they want to do so much with the plot that they need time to set up but by the time they get to the interesting stuff ive lost interest
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nonchalant- jeon wonwoo
wc: 0.9k
summary: clingy wonu /ᐠ - ˕ -マ
warnings: streamer!wonu, writer!reader, fluff, not proofread !!!
an: i can think of so many ways to make a pt.2 to this… will i? nope!
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the letters on your laptop’s keyboard are surely to start fading any time soon, but it’s worth it. especially right now. there’s yet to be a single time where you’ve felt this much inspiration in your entire career, so you refuse to let this go to waste. your eyes flicker to the notebook sitting next to you, information on the paper translating in your mind and being typed out into coherent sentences on the document.
you’re really proud of what you’ve written so far. you had your boyfriend read your unorganized thoughts you had set out for the plot and what not, and he thinks it’s good too. once your brain felt ready to start writing the real thing, your fingers were flying. you slipped your headphones on, essentially blocking out the entire world as you worked. you started when it was still light out, and you’ve only gotten up to use the bathroom, really. it’s dark now, and although he’s not working quite as hard, you can still sense your boyfriend moving around the house, making commentary as he pre records gaming content.
he’s left you alone so far. he’s not the type to nag you too much about taking care of yourself, especially when he’s already learnt his lesson about interrupting you when you have one of these moments of inspiration. not to mention he has times like this too, even if it was for something like a long term livestream. still, he treats you how he would want to be treated in the same situation. by that he means undisturbed… with the occasional interruption, of course. he likes to have his game time but if he isn’t filming he still wants to be with you.
your phone is on do not disturb, keeping wonwoo’s obnoxious friends and their instagram reel notifications from disturbing your work, so when a message notification dings through your headphones you know who it is.
won🖤: Are you almost done yet?
won🖤: I’ve finished recording.
you: no, sorry love :( i still have some left in me.
you: just a little more, okay?
won🖤: Just a little more. I try not to be that guy, but you really should stop soon. Eat something
you reacted with 👍
setting your phone down, you crack your knuckles with a sigh. you were reaching the end of your inspiration spark, so you really wanted to rush to get whatever you could in. it’s extremely rare that this happens, and you couldn’t stress it enough. you’ve got deadlines to meet, and for this to happen to you was literally perfect. you’re basically set, and might even be able to take a day off tomorrow.
you’ve gotten back onto your groove, putting the music on high while you work. you’re typing word after word, paragraph after paragraph flawlessly. everything you’ve been mapping out for weeks is finally coming to fruition, and it’s doing so perfectly. you’re so zoned in that you don’t notice when wonwoo comes in, only taking note of his presence when the weight shifts on the bed and his head lands on your shoulder.
you pause, pulling the headphones off your head. “do you need something?” you ask, hand instinctively coming to brush through his hair.
he looks up at you, and you’re sure he doesn’t notice the way he’s pouting. it’s rare that he’d be like that voluntarily. “how far are you? you’re almost done?”
“mm, i don’t think so.. sorry. i really need to make the most of this or else i’ll never get this finished.” you kiss the top of his head, and as soon as you put your hand back towards the keyboard he grabs it.
“you’ve been sitting here all day.”
“yeah, i noticed. but i’ll do just a little more, ‘kay?” you kiss his crown and return to work.
you finish the second to last plot point you had mapped out, and now you’re just revising what you done so far. even by your own standards you’ve done enough, and since wonwoo is indirectly begging you to spend time with him (in his own way) by clinging to your side, you suppose you can stop for now. it hasn’t even been that long and you can see him looking from his phone to you every three seconds. it’s cute really, how he’s trying so hard to be nonchalant about it when he wants to spend time with you so bad. every time he wants your attention, he sort of hovers around you and stares at you until you give it to him. he’ll never say it out loud, but he’s definitely going to be obvious about it in other ways.
you shut your computer and set it on the night stand, turning towards him fully. the corners of wonwoo’s mouth twitch as he tried to hold back his smile, but you know he’s happy that he’s won.
“you’re done now? are you gonna go back to work, or are you really done?” he asks, sitting up and readjusting his glasses.
you giggle at his cuteness, kissing his cheek. “yes, nonu. you’ve got my full, undivided attention now, ‘kay?”
he’s already up before you are, rambling about how excited he is to spend the rest of the night with you, even if it’s already late. he’s walking into the kitchen to make ramen for you, talking about eating it together while watching something, and then stopping to ponder about what to do after. you trail behind him, a smile on your face. your nonchalant, black cat boyfriend who uses very few words will throw it all out the window if it means getting your attention and keeping it for a good moment.
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#mejaemin#seventeen#svt#seventeen x reader#svt x reader#seventeen fluff#svt fluff#jeon wonwoo#jeon wonwoo x reader#wonwoo x reader#wonwoo
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i <3 creepy hallway
creepy hallway number one <3
alright time for more home life stuff . the bedroom scene came up as a way of trying to reintegrate the gold statue from earlier, since i just really love trying to find old elements and tie them in as plot relevant as time goes on . not usually planned, but it comes through during the editing stage, which is a fun game of deciding what scenes to keep, and which to get rid of . i wasn't so certain about this one, but i loved the idea of baby ford interacting with mabel, who's slightly older... i need to draw art of it, honestly . they're cute
it's really gratifying seeing people pick up on what i've been setting up as part of ford and the statue, the fact i was able to effectively communicate something going on means the world to me . the rest of the story is gonna dig into it more so i won't lay it all out here, but it really is so much fun . makes the whole writing process feel so communicative when people share thoughts and interpretations . especially when the scenes are meant to be read into !
we also get the closet yay . sure that's not gonna be important at all
writing the kids big blow up fight was a trip and a half . the original vision was a pretty shallow "we're stressed out and out grunkles should stop being mean to each other :(", just as a way to try and push forward the dynamics between ford and stan . that still exists, it's just a lot more focus being put onto the kids themselves . they're tertiary characters for sure, but i like thinking about their home life, and how that impacts them
one of the challenges is trying to have the fight feel fairly balanced between the two of them . shoutouts to my brother and wife for the full ass socratic seminar we had about threading that needle . how do you get a conversation where a young trans boy is trying to discuss his fears about his life and his body, and keeps getting shut down ? how do you balance that with a little girl who feels like it's her job to be the sweet, happy, emotionally intellegent adult in the room ? i'm happy with the end result but boy was it stressful
bill also wasn't gonna be here but i wanted more bill so . he got to come back . i really liked tying in nick with the spit to the little chats their having in the paradox dimension . love the lil hand pinch that was just a treat for meeeee, i get to be indulgent in my fics as much as i want . i also like the fact that ford is under some indescribable pain that entire time . they got a dynamic in this story that makes me laugh .
you know whats funny is i didn't even realize ship of theseus was a paradox writing a lot of the stuff about paradoxes . for some reason i just stumbled into that one . very funny . or, no wait -- i totally knew the entire time my brain is the size of three (3) whole apples
oh man and the entire lab scene i just loved writing . i love including bathroom breaks . i love dipper's poor hygiene . i love the fact the kids traded gold for soda, they're such perfect lil con men in training . and again the whole talk about star trek was so indulgent and fun
the brothers grew up queer in the 60's/70's and that's a major part of their arc . i hope to get across the ways they both hurt each other both as kids and adults . they still got so much to work on, and i just don't know if they've got the time
anyways creepy hallway bill time
favorite part:
“Clark.�� Ford stiffens, stops. Looks up. “What?” “That, uh, captain guy. The one with the, he had the big, you know–” Stan gestures over his chest, puffing his pecs out a bit more. “Always had em out, shirt cut off or whatever. Got all hot and sweaty. Great hair.” “...Kirk?” Ford turns in his seat, slightly, to get a better look at his brother. Stan clicks his tongue, points his index finger in recollection. “ Kirk .” He repeats, and the image of the guy blooms in Stan’s head. Ford had a magazine with him on the cover, about as disheveled and beat up as a guy could look, shirt torn open. That particular mag went ‘missing’ into Stan’s stash, and he laughs at that old memory getting drudged up. “I, uh. Was a fan , back then.”
i just love how neither one of them can say what they're talking about out loud lol
Stan and Ford have a conversation, Mabel and Dipper get a bit absurd, and something gold is given meaning.
If you don't look, you won't see it fading.
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The thing about Act 1 of season 2 is that, while in context with the rest of s2 it was bad, they actually did set up a good story and continued season 1 pretty amazingly.
There were still some problems but genuinely most of those problems stem from the rest of the Episodes not delivering and not on the first 3 setting stuff up.
Act 1 giving us the tree being sick? Really good idea, perfect set up even the connection between the hextech and it being sick? Nice as fuck. It's what they did with it (nothing) and how it didn't matter (at all) that destroys Act 1.
Caitlyn's set up was absolutely not bad, and a lot of people were praising it. It made sense for her character and it also didn't seem like they thought she was right. Not with all the other episodes after Act 1, though. Contrary to populer believe I like morally not so good (evil) characters if they make sense. Caitlyns narrative was promising to be interesting they just didn't do anything with it and acted like what she did in Act 1 was fine and excusable and alright. It wasn't. Had they actually done something with what they set up with her, well I wouldn't be standing here now.
They also promised this season being a Vi focused season and while I would say that Act 1 did actually give us a lot of Vi, in context with the other Acts... no. In hindsight there was no need to make her an Enforcer. "But the lore-" I'm gonna stop you right there, they also completely changed Viktors lore, and even Jinx' lore. So?
CaitVi was also something that, in Act 1, I was way more ready to get behind. I was a CaitVi shipper in season 1, I did like their dynamic and wanted it explored. I liked their kiss. I did not like what they did after that. Not Caitlyn hitting Vi and then getting to hit her again and never apologizing. I am a lesbian and here I am telling you: Everything that happened with them was weird.
Act 1 also gave us this genuine good found family between Isha, Sevika and Jinx. It was so moving and well done even in such short of a time (there is still stuff to criticize about it but the consensus is that it is awesome so yk I can overlook certain stuff). And then they turned around and wrote Sevika completely out of the story and killed the plot device that was Isha. When Isha should have mattered.
I didn't even originally dislike how many new characters they introduced because season 1 once mastered characters like this. Maddie seemed promising, until she wasn't. Loris seemed interesting and well thought out until he wasn't. Lest was such a good addition until she was just written out of the show completely. Don't even get me started on Steb.
Ambessas ploy in Act 1 was also something that I genuinely liked. Even Mel figuring out a mystery was good. Until they decided "well that doesn't matter anymore".
In Act 1 I did actually like the subtleties. I liked how Caitlyn saw the Violets and how, in episode 3 of s2 she saw one through her rifles lense (I have no idea what that is called, sue me haha) floating over Jinx. Because it was a nice add on and nothing that would destroy your viewing experience if not noticed, and it wasn't on the nose.
While a lot of directions they took, I was already questioning (the Smeech stuff took up way too much time) I was ready to give that a pass because it didn't destroy anything, yet.
Up until episode 4, it all seemed well enough, and while the prison scene also made me question stuff (that god damn Enforcer pants joke oh my god I will never let that go what was that) it wasn't anything too bad, yet.
The reason Act 1 doesn't work now is because of Act 2 and Act 3. Had Act 1 stood alone or had Act 2 and Act 3 delivered on Act 1, we wouldn't have that much of a problem. As it is the further Acts destroy what Act 1 seemed to carefully build up.
In the end what seemed purposefully and artistically done in Act 1 now seems like something the writers actually believe.
#I did like things about season 2. I did.#arcane#arcane season 1#arcane season 2#character analysis#scene analysis#caitvi#caitlyn kiramman#vi#mel medarda#ambessa medarda#jayce talis#viktor#jinx#sevika#isha#found family#ekko#firelights#maddie#lest#loris arcane#steb#discussion#wlw#lesbian
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You Know You're My Favourite - Avis Amberg X gp!reader
Words: 5,4k (more or less).
Summary: Avis searches for her favourite girl after a fight.
Warnings: porn without plot; NSFW; sub!Avis, Dom!reader; oral (both receiving); penetration (Avis receiving); swearing; use of titles; weird/unconventional power play; light praise kink; breeding kink; mommy kink; rough sex; flirts a lot with BDSM; tits play; implied previous conversations of boundaries; implied internal homophobia; implied unilateral love.
Tag list (those who commented or reblogged on the tag post): @alittlewitchyone @emilynissangtr @greek-freak101 @live-laugh-love-lupone @multixfan @thoroughly--confused @likealayka @thegoddamnfeels @kenzie-floops @amethyst-bitch @acciosoftbroom @missquints @mrsines
Special thanks to the lovely @live-laugh-love-lupone who kindly beta read this for me <3
English isn't my native language, so bare me! I didn't watch more than three episodes of Hollywood and hadn't written gp for a while, so I'm sorry if Avis is too out of character and if the sex is awkward 🥲. This story is based on an ask I received some time ago (I hope this finds you, anon!). I wanted to try something different by mixing the request - sub!Avis - with what I took from the character and from the fanfics I’ve read about her - the power play and titles.
Hope you enjoy it! Xoxo!
(Also, I wrote a good part of this while listening to “Red Wine Supernova” and “Good Luck, Babe!”, kind of mixing the songs to set the vibes to the characters.)
***
It was late and your shift was almost ending. It had been a boring day with no clients for you so you got pretty occupied with pumping gas and cleaning cars all afternoon.
You were just about to go to the bathroom to change yourself out of your uniform when you heard a car approaching. You got irritated by that, but that slipped off your mind as soon as you recognized the car.
Putting on your best smile, you approached it.
– What a lovely surprise… – you said leaning into the window to look at the ginger woman. You didn't miss how she seemed distressed. – How can I help you, Mrs. Amberg?
– You're taking me to Dreamland.. – she demanded, her tone letting you know she wasn't in the mood for your playfulness.
You nodded quietly.
– I just need to let Ernie know you're taking me out. – you said and went back into the gas stations to do it, returning as quick as you could and entering the car.
She drove off the station in silence, the only sounds between you being the roar of the motor and the background sounds that driving through Hollywood involved. You could practically feel the tension irradiating from her body, so you put a hand on her thigh, slowly drawing patterns close to her knee - not wanting to drive her attention to you at all, but to calm her down a little. It seemed to work since she relaxed a bit.
– Tough day, mama? – you dared to break the silence.
– I don't want to talk about it. – she said, leaving no room for other attempts.
– What do you want to talk about, then?
She sighed loudly and you felt bad for pushing her, but she answered anyway:
– What about your career? Have you got any offers lately?
You hummed in confirmation. For some reason, Avis always liked to learn about her lovers and she loved to discover how you wanted to be a professional photographer. You deep down wished she would, one day, pose to you.
– Yeah, I'm covering an event this weekend. – you told her excitedly.
– That's great, what is it? – you told her the name of the event, but it wasn't one from her social circle so she didn't know it. – … But I know you'll do amazing, baby, you always do.
She met your eyes for the first time in the night, a small proud smile on her lips. That made your chest warm. It was good to know you had someone to make proud.
– You're just saying it because you know I'm a sucker for being told I'm doing a good job. – you accused her, earning a chuckle from her.
– You caught me.
You fell into a very much lighter silence as she drove into the night. You weren't recognising the route she was taking, so you imagined it was somewhere she hadn't taken you yet. When she parked in front of an expensive looking hotel, you were sure you hadn't been there before. Not that she didn't take you to fine places, she did, but that was… Too much, in your opinion.
The parking valets opened the doors of the car for you both and you jumped out of it, feeling a little bit conscious of your clothes. Maybe you should've made Avis wait for you to change it when you were still in the gas station but now it was too late to regret.
Letting the ginger woman lead the way inside the hotel and into an elevator, you were able to relax again when the doors closed and you started to go up to your floor. But your relaxed state didn’t last too long since Avis was needier that night.
Being pressed against one of the walls of the elevator, your lips crashed against her red painted ones, her mouth as demanding as she always liked to portray herself. The kiss was messy and harsh, mirroring Avis mood and making you know exactly how she needed to be treated that night.
Holding onto her waist, you pulled her body flushed against yours, your tongue darting out to try its way into her mouth. As soon as she let it slip past her lips, you started to slowly dismantle her demanding attitude. Avis usually liked to have control over everything happening in her encounters, needing to guide what and how things would go. She tried to do it with you in your first encounters, but she was quick to discover that when it came to you, you simply wouldn't bend over anyone’s power without fighting for it - and that she honestly enjoyed having someone to tell her what to do sometimes.
You could still taste the wine on her tongue, which was another clear sign that something distressful happened and she really needed you to make her forget whatever it was that upset her. You could already piece together what probably happened: one more fight with the powerful Mr. Amberg. You didn't even know the man or had a hint of how he looked, but you despised him the same way. How could a man be married to a woman like Avis and not try to satisfy her?
The elevator’s door rang while opening and you quickly disentangled ourselves. She laughed at you.
– It's fine, doll. I made sure to rent a room on a floor that was empty. – she said, already leaving the elevator.
You laughed at yourself and followed her down the corridor. Your eyes didn't resist falling to her ass, admiring how rounded it was as you watched how her hips swayed as she walked. You couldn't wait to put your hands on it.
As she unlocked the door and pulled you inside the room, you met her halfway, crashing your lips together again as you closed the door with your foot before slamming her against it.
– Hmm, did you miss me that much? – she asked, putting her arms around your neck.
You hid your face on her neck, kissing and sucking it softly.
– No… I'm actually had been very busy fucking some pussies around. – you teased her, knowing how she could get jealous when at your work.
It worked because you heard how she grumply groaned and turned her face to the other side when you tried to kiss her on the cheek.
– Oh, mama, you let me get into your head so easily. – you poked her side. – You know you're my favourite client.
Though you meant those words, they left you with a bitter taste on the tongue. You had a strict rule of trying to not get attached to your regular clients, but sometimes you would get yourself wondering how it would be to be something else than just a prostitute to Avis. Something more.
But of course you would never speak those desires out loud. No. She was married and you were both women. And, in the end, she only saw you as a passing fun. Someone she could get distracted with when her true life got tough.
– You're distracted today… – she called your attention, making you snap out of your thoughts. She frowned. – What's in your head?
You let a peck on her lips, diverting her attention.
– Nothing at all. – you brushed off the topic. Letting your hands fall to her butt, you gave it a playful squeeze. – Now… What about going to prepare yourself for me? – you asked against her lips before leaning to her ear again. – I'm so hungry, mama…
You heard how her breath hitched and felt how her hands buried themselves into your hair. Leaning back to look at her, you saw how her eyes had darkened. You always loved to watch her eyes. Especially when she was under you trying so hard to keep them open while cumming around your cock.
Leaving your embrace, Avis went to the double doors in one of the walls of the living room (that you only noticed once she approached because you were too busy paying attention to her before), opened it and disappeared inside of it. The bed was probably inside those doors. You heard another one being opened before the shower was turned on.
She always liked to dress up on encounters like that, but she liked to be extra clean and use her fanciest gowns and lingerie for you. She was sold for compliments and you suspected that was a thing for her.
Trying to busy yourself, you poured down two drinks, swallowing yours in one go.
You hadn't to wait too long before you heard heels clicking on the floor and arms flew around you to embrace your body tightly.
– Do you want a drink? – you asked softly, enjoying how she cupped your breasts and kissed the back of your neck.
– Right now I just want to drink whatever comes out of you. – she answered, sending shivers down your spine.
– I can arrange that. – turning on her arms, you started to undo your belt, feeling how she was getting impatient.
Drinking the shot of whiskey you had poured for her, you swallowed a little before bringing your lips closer to hers. She quickly accepted it, opening her mouth so you could spill the drink into it. Of course that wasn't what she meant, but she wouldn't deny you.
Kissing down her cheek and her jaw, you buried your face back on her neck, your hands found the knot of her robe to untie it. She was smelling so good you wanted to wrap yourself around her and never leave.
– I like this colour on you… – you muttered against her skin, hearing her whimper softly. – But unfortunately I need this off.
Letting it slide off her shoulders, it was your turn to lose your breath.
– Did you like it, baby? – she asked with a sultry smile and tone, faking innocence. She knew you liked it. Actually, she could feel just how much you liked it.
There, standing confidently in front of you, she was wearing a red corset that hugged her curves perfectly, but that wasn’t all. Your eyes ranked up her legs, admiring the black long socks attached to something underneath the corset - probably a, also black, garter belt. Finally, your eyes met what you considered to be the cherry on top: lace black panties that left so little for your imagination.
You ran your fingers over the details of the corset, your mind already picturing how it would be to take it out of her later. The rest would stay in place, it wouldn’t bother you.
– I loved it. – you said, playing with her garters. – And because of it I’ll let you pick what we’re doing first. What do you want baby to do? – you asked, pulling her hips closer so one of your knees was placed between her legs.
Under your intent gaze, Avis squirmed. She enjoyed your attention so much. Starting to undo the buttons of your white shirt, she asked:
– You mentioned being hungry, right?
You laughed and helped her to get yourself undressed. Once you got rid of your shirt, tie and shorts, your hands returned to her hips, starting to push her in the direction of the couch, you made her sit down. She made mention of untying the garters but you pulled her hands off it harshly.
– None of it, I didn't ask you to take it off. – you reprimanded her while kneeling on the floor.
– I don't need your permission… – she said under her breath and lifted her hips towards you.
One of your eyebrows shot up as you looked at her. So she was naughty tonight? How bad.
– Are you looking to be punished, mama? – you asked severely. – You know how long I can keep you on edge.
She seemed to fight her pride and own words before looking away and muttering:
– I'm sorry.
– That's better. – you tapped the side of her thigh, satisfied. – Now where were we…
You spread her legs, starting to kiss the insides of her legs and massaging her feet while doing it. She loved receiving a good massage.
– Yes… – she sighed, opening her legs even more, if it was possible.
Her skin was smelling so sweet and her socks brushing against your bare skin were so soft that you were feeling yourself getting hard faster than usual. Avis would certainly drive you mad anyday.
– Baby, please… – she whined, her hips bucking in the air, asking to be touched. – Please, Mama's so hot…
Complying with her requests, you brought your lips higher, your fingers cleverly finding her panties and pushing them to the side. You licked from her entrance to her clit, feeling how she clenched and how the foot you were still holding curled into your hand.
Bringing your hands to her hips, you pulled her further to the edge of the couch, placing her legs over your shoulders.
– Look at this, mama. – you breathed against her core, letting soft kisses all over her mound and playfully sucking at her bundle of nerves, feeling her squirm and moan shakily. – Your pink hole is so wet for me already, I bet I could slip inside right now without any trouble… – you fully slid your index finger into her fluffy folds as if to prove your point to her. – See?
– God… – she groaned and you could feel how her hands were clutching at the couch on your sides. She could feel your finger searching for her weak spot, scratching her walls sweetly in its path.
You were steadily letting kitten licks on her clit, your finger caressing her point over and over again, reducing her to a pathetic moaning mess. When you started to suck her, her hands flew to your head, holding you impossibly closer.
– Fuck! Yes! – she rolled her hips against your mouth, starting to ride your face in chase of her orgasm.
You let her do it while adding another finger inside her, scissoring and opening her so you could replace it with your tongue later.
– Hmm… Mama, you’re taking me so well. – you complimented her, your voice sending vibrations against her clit, making her grind harder against you.
Her moans were louder with each thrust of your fingers, every rub of her clit against your tongue making her legs twitch and her hole clench around your fingers. You knew she was so close and you were loving it. Satisfied with the stretching, you finally slipped your tongue inside her, tasting her flavor straight from the source.
Her grip on your hair tightened, her thighs creating a fluffy - and strong - cage as they closed around your head. A loud, obscene moan left her lips, her whole body losing control as she reached her orgasm.
– Ah, baby! Fuck! Fuck! – she cried out.
Her walls were tightening so hard around your tongue it was practically expelling you from inside her and you couldn’t help but whimper at that. Staying still, you let her use your mouth to ride her orgasm.
You caressed her thighs all the while, soothing her and waiting for her to calm down. It didn’t take her long before you could finally free yourself from her legs, resting your head on her thigh as you had done before. You looked up at her with what you knew were your loving eyes.
– Everything alright, mama? – you asked as she panted, her chest rising and falling heavily.
All you received from her was a soft groan, her eyes shut tightly. Getting up from the floor, you sat on her lap, drawing her attention back to you.
– I’m fine. – she said dreamingly, opening her eyes to meet yours.
– That’s good… – you said and leaned to kiss her.
She welcomed your mouth with her tongue, more than willing to taste herself on yours, moaning at it.
– Can you taste how sweet you are, mama? – you mumbled against her lips, making sure to press your tongue down at hers, wanting her to commit her own taste to her memory.
The kiss was heated and messy and you didn’t even notice when you started to roll your hips on hers, brushing your covered erection against her corset, missing the feeling of her chubby belly. You liked the corset, it was pretty, but you liked even more to have her breasts and tummy on display.
– Stand up, let me take this thing from you. – you panted against her lips, getting off her lap to sit beside her.
She did it and you pulled her down on your lap, moaning at the feeling of her ass hugging your dick perfectly. She rubbed her ass over you playfully, earning a quick slap on her right buttcheek, which made her quiet down.
Starting to open her corset, you took the opportunity to also undo her complex updo. She usually didn’t let you do it, since it took time to put her hair back in place, but you didn’t think she was planning going anywhere or returning home that night. As you finished with the corset and brushed her hair with your fingers, admiring its redness, you made no effort to resist reaching around her body and taking her big boobies into your hands, loving their weight and softness. The sigh she let out told you how relieved she was to get rid of the corset.
– Feeling better, Mama? – you asked while playing with her breasts, squeezing them and rubbing her nipples to get them hard.
She only hummed in answer, her ass not staying still on your lap, teasing you as much as you were teasing her. You kissed your way to the back of her neck, biting down hard on the skin there, making her squirm and whimper above you, her hands reaching up to hold yours in place. You pinched her nipples and flicked it on your fingers, making her breath get elaborated again.
– Baby, please! – she finally gave up, understanding you wouldn’t take any action if she didn’t beg. – Please, I need you… – she tried to push one of your hands down to her pussy but you prevented her from doing so. – Please, I need you inside me so fucking bad!
Reaching to her neck instead of between her legs, you held it and squeezed it weakly, pulling her towards you until her head was on your shoulder.
– You know what to do if you need my cock that much. – you said against her ear, enjoying how her desperate eyes found yours. Such beautiful eyes.
You smirk down at her and bite her ear softly.
Sliding down from your lap, she got on her knees before you, her hands fumbling with your tight underwear while letting mouth-opened kisses on your erection through the cloth. She looked so sexy doing that.
– Aren’t you forgetting anything, mama? – you asked and she looked up at you confused. You gestured for her to keep eye contact and she nodded.
Letting her take control of that small moment, you leaned back on the couch helping her to take off your underwear by raising your hips. She bit her lips at the sight of your cock on display.
– See how excited I get everytime you come to see me, mama? – you asked, running a finger on her lower lip before slipping it inside her mouth, watching how she accepted it, sucking it into her mouth.
Bringing her closer by her chin, you let her replace your fingers with your cock, sighing heavily at the velvety and warm sensation of her mouth around you.
– That's it, mama… – you hold her head, not leading her, just letting it rest there. – Take it all inside.
She obeyed, bit by bit taking all your length into her mouth, not having any trouble. The idea of her being so used to doing that kind of turned you on. Between the two of you, you might have been the prostitute, but she was definitely the slut.
You moaned as she bobbed her head up and down a few times before returning to your head, sliding her tongue against your slit.
– Fuck, mama... – you bite your lower lip, your free hand going to your tits to play with them. – You know exactly what to do to make me lose control.
You groaned when she sucked the head, her cheeks hollowing as she did and her eyes searching your reactions through heavy lids and battling of lashes. That woman would certainly kill you one day.
Letting her work her magic on your cock, you took that moment to just enjoy the pleasure she was giving you, focusing on your sensations as soft groans and moans kept falling from your lips, your chest heavy and heart racing as you watched how she switched between sucking your cock and teasing the slit at the tip or sucking your balls while jerking you, all the while never breaking eye contact.
– You're doing so fucking good… – you panted as your release started building, your dick throbbing into her mouth. You almost came when, in one go, she put all your length deep inside her mouth, the tip reaching the back of her throat. – Fuck!
You held her head in place, closing your eyes at the intensity of the wave of pleasure that teased you, unaware of how she also closed her eyes, moaning around you and sending another wave through you. She always found it so hot when you were rough with her and she could feel her arousal sliding down her thighs, her pussy aching to be filled again as she made her best to not gag around you. You released your grip on her.
– Keep going, I'm so close. – you gasped.
With that, she doubled her efforts, your hips bucking to meet her meet her mouth halfway, your cock brushing the back of her throat at every damn thrust. A strain of swears were falling from your lips and, when you finally couldn't help it anymore, your hand hooked into her hair and you harshly set the rhythm you wanted, making her choke sometimes while supporting herself on your thighs, trying to relax her jaw the most as she let you fuck her mouth. She knew her throat would be on fire the next day but she didn't care. She would never stop you from doing what you wanted to her.
She was exactly where she wanted, receiving exactly what she needed.
With a final rough thrust up, you held her still, cock buried impossibly deep inside her as she fought the urge to push you off her so she could breathe. When she couldn't take it anymore, she patted your thighs and you let her go while growling through your orgasm, your seed spilling from her throat to her face since she couldn't hold your dick down her throat for so long.
Both of you were breathing heavily for totally different reasons.
– Sorry. – you apologized as soon as you got enough air to do it.
Her head was resting on your hip, her hair in all directions. Her face was flushed and painted with your cum while her lips were swollen and her cheeks had stains of tears. She was a fucking mess.
– It's okay, doll… – she muttered raspy, her chest rising and falling in quick puffs as she still was trying to calm herself down. – You know I like it.
Gentler than you were before, you ran your hand through her hair, putting it a bit back in place, not because you were finished with her, but because you wanted to bring her some tenderness after such roughness. You waited until she was ready to keep going.
Watching her standing up, you stood too, catching her lips into your in a soft, caring kiss.
– You know we can stop at any moment, right? – you reminded her in a whisper.
– I want to continue. – she reassured you. You nodded.
Taking her by the hand, you led her to those double doors, entering it to find your way to the bed. It was very large and fit the luxury of the place.
– Get on the bed. I'm gonna get another drink. – you said while caressing her back.
As she moved to do so, you returned to the other room, pouring you a drink while you still felt cloudy from your previous orgasm. Something strong like whisky would definitely help, you thought to yourself. Yet, it wasn't the whisky at all that snapped you from your current state of mind, but the vision of your tie lying in a corner of the room. An idea popping into your head.
Drinking the liquid in one go, you walked over and picked up the tie, returning to Avis immediately.
You weren't waiting to find her on her fours on the bed, waiting for you with her ass high in the air and face buried in the sheets. All the while she was touching herself, two fingers deep inside her drenched pussy.
That pissed you off.
– I didn't say you could touch yourself! – you exclaimed as you reached over and pulled her fingers out of her harshly. –You’re really looking for that punishment, lady!
You turned her over so you could pin her down, you face hovering over hers as you angrily asked:
–Now choose… – you lifted the tie. – Hands or eyes?
She didn't miss a beat before answering:
– Eyes. – she could bear not being able to see, but being restrained was a torture for her.
You grimaced at her answer, an unsatisfied expression on your face.
– You don't deserve it. – you said. – Mama has been acting very bad.
You flipped her over again, using your weight to hold her still as she fought you and your decision to tie her hands instead. As you finished, you leaned and growled on her ear:
– You will learn how to please your baby!
Getting off her, you helped her to return to her previous position: ass on the air and face buried in the sheets. Aligning your dick with her entrance, you entered at once, knowing that she was more than prepared after so much teasing. She moaned unashamed at that, ass moving to meet your hips halfway.
– Yesss… – the word lingered on her tongue, turning into a hissing as you slapped her ass once more.
Settling a steady rhythm of thrusts, you watched, hypnotized, how her pussy took your cock so well, as it was designed especially for you. A soft and warm place for your dick to rest and empty itself.
Oh, that was another great idea. You would adore to cum inside Avis again and again until she was filled and carrying your seed deep inside her.
Keeping to fuck her in that slow and steady rhythm, you knew exactly what you were doing to her: making her lose her mind again. It wouldn't take long until she was pathetically begging again, her brain melting from having what she wanted from the start but it not being enough to satisfy her.
And you were right, it didn't take long.
Once she realised you had no intention in changing your pace, she cried out muffled:
– Baby, please… – she tried to fuck herself against you, but reaceived another harsh slap. – Mama is so sorry, please… She won't do that again… Please, please, please… Mama will do anything baby wants her to do, promise… – her whimpers keep going, but you already have heard the words you wanted to hear so you leaned into her again, one hand getting tangled in her hair again.
– Anything, mama? – you asked and, to provoke her, you gave a particularly rough thrust. Just the way she liked.
– Yes! Fuck, yes, please… – she cried.
Your free hand winding its way through her body until it finds her clit, rubbing it in tight circles, enjoying how she gasped and moaned even louder.
– Do you know what I would love, mama? – you kept whispering against her ear. – To have you carrying my babies… – a soft “yes” came as an answer and you closed your eyes. – Wouldn't it be lovely, mama? Me buried deep inside you? Feeling you so good? Spilling all my seed so mama could take it in her perfect body for me? It would make me so happy, mama…
Hearing her confirm every question you made her was an otherworldly experience, but the words that set you wild were those who came from her lips in sequence of that:
– Please, love, give me your babies… I'll carry your babies, please…
Pushing her face against the mattress harder and holding onto her tied hands, you started slamming into her, the sounds of your skins meeting each other extremely obscene. You were panting and whimpering, lost in Avis body as you finally gave her what she was so pleased to beg for, her moans fully turning into screams of pleasure now, her hands twitching and trying desperately to free themselves from the tie while her toes curled and she bit the sheets to muffle her sounds.
Every thrust of yours sent her higher on her from the force you were using to fuck her, almost as if trying to forge your bodies together, so it was a good thing you were keeping a good hold on her, otherwise her head would be banging against the headboard.
When she started clenching painfully around your cock, you knew she was close to her orgasm. You were too. Flipping your positions, you laid on bed and pulled her above you, untying her hands so she could support herself to ride you.
– Yes! Yes! Gimme your babies, yes! – she kept exclaiming as she bounced hard up and down the entirety of your length, seeming to want as bad as you to bury your cock deep inside her. – Fuck, yes, mama feels so good! Mama is gonna cum!
You helped her to bounce, supporting her hips and meeting them with yours halfway as well, wanting to make her cum again.
Sitting down on the bed, you held her hips down, burying yourself inside her while helping her to grind on you, one of your hands searching for her clit to send her over the edge. You were feeling goosebumps all over your body and it was becoming harder to fight your orgasm.
– Cum for me, mama, please. – you asked and, lowering your head to her chest, you caught one of her lips into your feverish mouth, sucking it hungrily.
That was enough and, with her orgasm finally washing over her, she stopped her movements, her entire body tensing up. Being squeezed like that, you didn't even try to resist your own orgasm, spilling yourself inside her body as a guttural moan escaped from the back of your throat.
Both of you stayed still, practically breathing each other's air as you panted with your foreheads pressed together. For a long moment, none of you dared to move, both sensible to touch and still feeling the aftershocks of your blissful orgasms. Finally, you turned her again on the bed and slipped out of her, both of you moaning from the loss of the sensation.
You watched how your seed spilled out of her mistreated hole once you were out. You weren't preoccupied with coming inside her. She was past her fertile age and you were infertile, so there was no risk at all.
Laying beside her, you welcomed her into your arms.
– Feeling better? – asked softly, running your fingers through her hair and kissing the top of her head, your eyes were feeling so heavy.
– Much better. – she said and yawned.
– Go to sleep. – you told her, knowing that all would end very soon.
Soon she would have to return to her husband and you to your clients. Soon she would pretend that all those nights with you were nothing more than usual fun, even though both of you know she had stopped seeking other prostitutes after finding you. Stopped seeking men.
And you, well, soon you would have to pretend that you didn't let her affect you. That you didn't let yourself hope that, one day, she would need more than just sex. And, certainly, that you didn't caught yourself thinking of her when fucking others or wishing she would accept what the nature of your encounters were saying about her.
– Good night, doll. – she said sleepily.
– Good night, Avis. – you answered, kissing her head once again.
You knew she would have already left you when you woke up the next morning.
.
.
.
.
Comments are very appreciated because I'm a sucker for validation!
#avis amberg x reader#sub!avis amberg#bratty!avis amberg#avis amberg#dom!reader#dom/sub#patti lupone#hollywood 2020#hollywood netflix#nightmare of homophobes#nightmare writes
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concrete jungle with the devil.
some victoria neuman x reader headcanons.
part.ii of this
you’re beautiful, you’re talented, and you’re the secret girlfriend of a hot and potentially crazy congresswoman. what more could you ask for?
contains : fxf relationship. fluff. angst. manipulation, pretty toxic relationship because its the boys and its victoria, mentions of smut. readers hair and face not described.
wc : 2.415
a/n : started this when season two was airing. look at what an idiot i was.
you had forgotten how much walking was done in certain cities in the states, especially in the big apple. to be fair, you’d forgotten quite a few things.
you remembered things you had forgotten gradually after that night when you realized you were not only a supe, but a supe that had been unknowingly manipulating yourself with your apparent superpowers into forgetting parts of your life. would be a cool plot for a book if it wasn’t your entire life but, whatever.
after managing to think of the revelation without nearly having a panic attack and ‘crazy high blood pressure’ as victoria so eloquently put it, you’d fallen into a kind of…ease?
in her ‘loving worry’ the woman had put you under her watchful eye, moving you into her home to prevent you from doing anything ‘drastic’ and helping you acclimate to your new state of living. she paid for your expensive hotel for another week before not subtly (and not asking) recommending you stay in her townhome.
and she’ll make sure you’re as comfortable as you can be the entire time. find the guest bed uncomfortable? her first offer is for you to just sleep with her, but she’ll settle for making sure you have a new mattress and comforter set. feeling sad over your rapid change in diet? a personal chef is hired to make you authentic parisian dishes to your hearts content.
it’s completely jarring how she has such a hold on your heart. you know a part of you can’t move on because of your powers, but every time you try to remind yourself of how weird your situation is you’re roped right back in when she comes home from work and tells you how she was thinking of you all day, giving you physical affection when you seem open to it by pressing a sweet kiss to the side of your head.
as childish as it is, a small part of you wishes you had an actual label for your relationship. ‘woman who wooed me then flew me across the globe to accomplish my dream and then revealed she wants to take advantage of my unexplored power’ was more than a mouthful. even ‘partner’ would be preferable.
it’s amplified by the fact that you aren’t really in a relationship.
you’ve slept together, something you embarrassingly think about often at night when your hand trails beneath the soft satin pajama set she had gifted you. at the end of the day you do have needs, and having your sexual world rocked only to have to (reasonably) avoid the perpetrator as best as you can is all too confusing to process.
not to mention that she still treats you sweetly and romantically when in private, fingers brushing over your arms and pet names whenever she sees you in a room of her house, but outside and in public her career calls for…propriety? and a relationship with another woman in your career would hurt her numbers apparently. at least that's what her publicist said. she didn't seem very bright yo you, but victoria was throwing hundreds at her to support her campaign.
and oh yeah, she decides to tell you randomly on a thrusday night in while making dinner with her daughter that she actually is talking with another politician about running for president and vice president. zoe had to help you when you nearly choked on your pasta.
you hadn't delved too deep into politics when over in paris, only googling the basics about small party leaders who'd show up to bars and would likely engage in small talk over a few drinks. the first time you even learned about vic's profession you already heard alarm bells in your head, but president? seriously?
she tried to reassure you about it, listing off all the benefits it would bring to her family - which now apparently includes you. a better government position meant a better quality of living, moving into the secure grounds of number one observatory circle with access to the government's protection, connections, and loads of money. you and zoe both perked up at that. you looked at the girl curiously and she shrugged her shoulders, admitting later that she would like to be able to travel to more places farther than the met.
unsurprisingly, you grow closer to zoe. you aren’t given many opportunities to make a lot of friends, and the only adult conversations you get are your friends back in pairs over the phone and victoria along with her campaign help. at first you helped her a little with her homework, even if the curriculum for her private school was leagues above what you learned in your little low-budget middle school. eventually, you start to just talk about shared interests, and you're pleasantly surprised to find out the girl is musically gifted. its sweet to see that vic set up a corner of her office for the girl to practice her talents, and whenever she offers you listen to her play a piece on her cello.
you never bring it up, but one time victoria stopped at the house for a long lunch once and overheard the two of you talking about a piece you both loved before zoe practiced it on her instrument. she stood out of sight in the doorway for a minute and just observed. as soon as you noticed her presence she was gone.
when things start looking up in the polls vic starts to show a little leniency with letting you have an actual life. of course she uses some backdoor connections to get you a boost in your career, and you find a great deal of peace in being able to perform to your hearts content. it only helps that the atmosphere of entertainment in new york is alive and bursting, you meet so many fellow musicians and singers.
slowly but surely you start to fall for the city. sure it can be dirty and smell weird and have heaps of garbage everywhere, but just like with paris you’re able to find the hidden jems that lurk just below the surface.
and after some pestering whenever the two of you manage to be in a room alone together for more than a few minutes, victoria finally starts to explain to you…well, you.
you’d always gotten a bad feeling by vought, never liked the way they profited off of the supers and marketed them to certain countries and people. finding out that they made you the ‘way you are’ . apparently, both you and vic’s parents thought letting a company shoot some super drug into their children would a smart idea, that you’d both go on to do something great.
“well, i guess you are kind of great, in a sense. smart enough to become a politician, raise a good kid. are they proud of you?”
she only gave you a dry chuckle as she took a sip of her dark wine.
“yeah, yeah they’re really proud.”
as much as you start to try, you cant get in to her head. you’ve been thrust into the middle of her life and routine and there’s still so many things about her you don’t know. hell, you don’t even know what her power really is still. you can tell she wants to let you in some, either for her own feelings or because she wants to help you explore your supercharged feelings for her to understand more about your abilities.
but just like when you talked about vought, as soon as she’s about to open up you see that look, one of a fear you’d never quite seen before flash in her eyes before she quickly dismisses you.
so you decide to tale a.. drastic measure to get some things out of her.
you had been exploring your power a bit in your new daily life, just little things that didn’t make too much of a difference or affect anyone too greatly. a simple request for the customer ahead of you to apologize to a barista they’d needlessly ridiculed, innocently asking a rushing passerby to give you directions to a cafe you had just been dying to try. it took a few weeks to get the hang of it, the fact that it apparently worked best when you were singing and the toll it could take on your body, but the dizziness fades eventually.
it’s a rare night where the two of you are in the house alone together and you decide to celebrate your recent well-perceived performance by opening up a bottle of bubbly and sitting on the couch, dressed in some maybe too revealing pajamas and waiting for her to inevitably join you once she finishes settling in from a long day at the campaign office.
she joins you and clink s her glass to yours, rolling her eyes into your drink when you immediately ask her a question about all of her plans.
“its gonna take more than some expensive champagne and you looking like that for me to crack, but nice try sweetheart.”
“oh yeah?” your finger teases the rim of your glass, eyes trained on her movements.
“yeah. let’s stick to the basic questions for now.”
you hum a short tune to yourself and take another sip of your drink. “okay. you should tell me what you had for lunch today.”
“patricia picked me up a ceasar salad today. it had too many croutons, a really absurd amount. sat confused for a few seconds.”
her eyes scrunch up slightly and flick to yours. you take her silence as a sign to keep going.
“i never really get to talk to your assistant. she told me once her name was morticia.”
she laughs and sets her glass on the coffee table, “think she might’ve been intimidated by you. she can be a real tightass but she’s a hardworker, believes in my campaign and message and all that shit.”
“dont try to skirt past that, tell me why she’s intimidated by me.”
her eye twitches, clearly annoyed by what you’re doing and not used to someone having this kind of control over her. but each time you do it you notice the way her hand clenches on the cushion of the sofa, how her tongue darts out to quickly lick over her bare lips.
“she wants me, checks me out sometimes when we’r ein the office. but the reason i hired her is that she’s incredibly observant, and she’s probably picked up that the two of us have a weird thing going on.”
your eyes slightly scrunch together. “what do you mean by ‘weird thing’ ?”
clearly your aggravation at how she decided to describe...admittedly whatever this weird thing between the two of you was, its enough for your concentration to slip and allow her to get out of the concentrated hold you had on her mind. in only a few seconds she’s pinning your body down to the couch, your wrists held down by her hands and your drink falling to the floor with a loud shatter.
‘ugh! vic, what the hell-” you struggle to get out of her grip, thrashing your arms and trying to kick up your legs that are trapped under her thighs. you apparently greatly underestimated how strong she is.
“that’s it baby, get angry, let it all out.” she has a fascinated smile on her face that does nothing to quell your frustration, only giving you the desire to get right back to messing with her anyway how.
“tell me why you’re doing this to me!”
“i like watching you under me, plus i like having control over you. definitely don’t want you turning the tables on me again.”
you notice that when you command her to explain her voice takes on this fast tone, like she’s rushing to answer you as soon as you finish speaking.
“you think i’ve dont you what you’ve done to me?”
“isn’t it fucking obvious? you just forced me to tell you something i wasn’t supposed to mention. i have to keep sharing things with you, you make me want to share things with you. you’re controlling me and you don’t even know it.”
“why don’t you want me to control you?”
“because i’ve been controlled before. its horrifying. you could be horrifying. because it’s not part of the plan. none of this is. god, you were supposed to be gone by now but i just can’t…i don’t-”
both of you’re eyes are wide when her speech starts to slip, fighting against the control to keep telling you what she’s hiding. her head jerks and you feel a rush of hot liquid rush down your face, your hand miraculously free to let you feel the blood pouring out of your nose. you look back at her and she’s scrambled to the other end of the couch, eyes trained ahead of her as she gets herself out of the daze.
abruptly she stands up, swiping off any leftover unease and starting her trek towards the stairs as you wipe off the now slow moving trail of fluid trailing from your nose.
as soon as she reaches the first step you call out to her, blood dripping into your mouth as your voice takes on a bittersweet and melodic sound.
“how do you feel about me, victoria?”
her manicured hand clenches around the wood bannister so hard you fear it’ll snap.
“you’re powerful. you’re useful and you’re terrifying.”
tears prick at your lashline as you swipe at more of the red covering your mouth. her head turns to meet your blurry gaze.
“i think i’m in love with you.”
you zone out to the sound of her footsteps rushing up the stairs and the light-headness from exertion.
you had forgotten what one one of the worst things about being in a city was. how despite being surrounded by thousands of people and hundreds of lives, inevitably came those times where you were alone as a person could be.
#uhhhhhhyeah#def going to expand on that end part in a mini drabble#that scene in my head was initially siren commanding vic to say shit and vic making her bleed from her nose until they b4ng#the toxicity with her...such untapped material#the boys#the boys x reader#gen v#gen v x reader#victoria x reader#victoria neuman#victoria neuman x reader#icljaa#dont expect that acronym to take off#idk maybe
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Saw your tags on the last few posts and hard agree! Between the ever present Fen'harel foreshadowing AND Sandal's prophecy AND Mythal's reckoning? It always seemed like the Veil coming down was that proper big bang finish that would rewrite all the rules in a satisfying and interesting way. One of my issues with Veilgaurd is I feel like it took the series' opportunity for a destinct ending away. Personally, I believe good stories end. I don't want 30 DA games in a MCU verse. And now, to have the series end they have to come up with a stopping point that makes more sense than the Veil. Or revisit the Veil. And what would be the point in that when they wasted all the foreshadowing?
yes, exactly!! i felt like i was going insane on my soapbox there, thank you!! it really feels like they ran up against the natural end point for the franchise and just decided to do a little shimmy around it. i just don't see what exactly that achieves except to set up a new, bigger bad which we have no real stake in.
was i curious about the executors prior to veilguard? yes! but i expected them to appear in this game since they clearly had an interest in solas' plans!! not for them to have 3 completely missable interactions followed by the worst idea of a post credit scene i've ever seen. whatever curiosity i had about what they were up to & how the kossith relate to what's across the sea is pretty much gone at this point.
a "shadowy cabal" who's secretly responsible for all of the evil enacted in this world by people in power is not a plot i care to see play out in bioware's hands. it's a stupid, elders of zion ass direction to take things and was not worth trashing over a decade of build up.
there is nowhere they could take that plot thread (already relying on the worst possible trope...) that would give dragon age a more satisfying conclusion than dropping the veil.
it would've resolved or set up a potential resolution for all of the major conflicts that have been established up to now!! (mages under the chantry, tevene class structure/slavery, oppression of elves, the blights, the waking titans, etc. etc. i could go on!)
and with the way veilguard ends... it looks to me like they wanted to somehow get the implied resolutions that would come out of dropping the veil without committing to it. that's why no matter what you do, dorian or mae will become archon and singlehandedly restructure tevinter society. the load bearing piece of "mageocracy can't function if everyone's a mage now" is gone, so we have to have a poorly executed sideplot to resolve this plot thread for us instead...
i'm sure people will feel differently, but i personally would've found it more satisfying if the veil fell and the franchise wrapped up there. for good or ill, it changes everything and we can all have the time of our lives speculating about the Implications thereafter.
if they really wanted to(/needed to promise EA they could) make more games in this setting — they could've gone backwards! there's lots of stories you could tell throughout thedas in the gap between the fifth blight and solas' ritual! there's lots of stories you could tell about the centuries between andraste's rebellion and the fifth blight! there's so much happening in the background here that they've hinted at through codices that if they really wanted more content in this setting, there is so much room to expand on those.
could they set up world shattering events like "tearing down the veil" again? no. but i think that was a very obvious one and done situation, and i don't think anyone came into this franchise expecting their dragon age games to have stakes that apocalyptic until trespasser! i think there absolutely would've absolutely been an audience for a game about the assassination of queen madrigal or the fog warriors' resistance on seheron if they hadn't fumbled this....
#my bad i didn't mean to write an essay here 😭#it kills me tho!!! it was SUCH a neat ending all wrapped up in a pretty bow and they tossed it aside for...#*looks at scribble on hand* thinly veiled antisemitism plotline#classic bioware if you think about it#but MAN. i was really hoping this wouldn't be the thing they chose to double down on yet again#bioware critical#veilguard critical#da4 spoilers#veilguard spoilers
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BLOG MOVE!
Long overdue, blog has become a complete mess, Hoping to enter 2025 with some more positive energy by being able to pre-empt blocking some real freaks out there who like to lurk on my page and a better focus on ic!
What this is going to look like:
Fresh transfer to a new blog, though I will slow drip in what people would prefer be transferred over*. Mild rework of muse page to remove muses that no longer or never generated interest. A tighter focus on what sparks joy for me as much as for my partners bc tbh i got kind of exhausted being 'the x person' or not feeling that all muses were regarded as equal in different fandoms.
Timetable:
I'm going to spend the next few days I have off doing the heavy lifting of actual coding/aesthetics/test posting, and so on. Over time, I will be finalizing my carrd to have more in depth information for all muses, as well as the easy-access mobile muse page for people who just want it short or sweet. I also intend to ensure each muse has a fully functional tag system before moving bc these same named bitches w a tbt appended are killing me. Is this Charlotte from B*rserk or Charlotte from Debede? Shut up past Kadi I'm going to kill you. This hopefully means I will be fully ready to go in early-mid January if not a little sooner. For now, I will still be semi-active/lurking here just grabbing everything I need, and will let you all know when that changes.
What's coming with me:
Dynamics/Ships
Headcanons
Most of you hopefully!
Probably most muses
Most fandoms, with a few greatly expanded character-wise
Any threads people want me to transfer*
Any IC or meta asks people want me to transfer*
*The focus at the start is on just setting a new daily writing habit, which means I will likely focus on new threads and asks to start. However, I don't intend to totally abandoned some threads that have been plotted or even just interest me. The main point is that I will put those on the back burner until I can give them the focus and energy they deserve. If there is a thread or ask you want on rotation moving forward, please fill out this form so I can hold on to it :D
If you 100% want to remain mutuals the new blog like this post and I will follow you once it's identifiable as mine/not a bot.
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Dangancember 2024 - Danganronpa Top 24 Class Trials - NUMBER 2🥈: Danganronpa 2 Case 5
//I'm willing to bet that almost EVERYBODY thought this one was going to get Number 1 on this list, and to be fair, when I did a ranking years back, it DID get the reward for my best case back on Reddit.
//But in case this list, compared to that one, isn't evidence enough, my opinions have changed a bit.
//I feel the need to remind everyone that this ranking is based primarily on my general feeling of each of these cases, taking into account the characterization, investigation, general mystery, plot twists, etc. If we were ranking this purely on investigation and mystery, without my personal feelings towards a case involved, this one would be Number 1.
//When it comes to Danganronpa cases, Game 2 Case 5 is not just the crown jewel; it’s the one everyone expects to see perched at the top of any "best trials" list.
//And yes, I hear you already, "Oh, how predictable. Case 5 at the top? How original!"
//But let’s face it, sometimes the popular opinion is popular for a reason. I don’t do contrarianism for sport, folks. If something’s obvious because it’s correct, then I’m not going to waste time pretending otherwise.
//Could I have slapped some other case here, like 1-2 or V3-1, to make things spicy? I think it's spicy enough that this one isn't Number 1, but that aside, we’re not here for hot takes; we’re here to appreciate brilliance, and Case 5 is absolutely, unequivocally, that case.
//Now, let’s address the elephant in the room, or perhaps the giant robotic animal mascot if we’re staying on brand. This case is legendary for reasons beyond just "it’s good."
//Put simply, there is no other video game or mystery-themed franchise that could pull this case off OTHER than DANGANRONPA.
//It’s part mystery, part madness, and 100% the kind of twist-riddled storytelling that no one can replicate. You’d need the full chaotic toolkit of Danganronpa’s narrative rule-breaking, character complexity, and absurd-but-brilliant logic leaps. Without those, you’re just a murder mystery fan with a dream.
//Why does this case stand out so much? Because it takes what we think we know about how these games work, how mysteries work, really, and throws it straight into Monokuma’s metaphorical incinerator. In most murder mysteries, the setup is fairly predictable: Person A offs Person B, usually for some selfish reason, like wanting freedom or holding a grudge.
//Danganronpa usually follows that formula, with the added twist of a deadly game show setting. But then along comes Case 5, flipping the script so hard it leaves you reeling. It doesn’t just upend expectations; it takes them out back, ties them to a rocket, and blasts them into space.
//And yet, it’s not just shock value. Beneath the twists and turns, this trial is meticulously crafted, intertwining its revelations with the overarching story in ways that make your brain do somersaults. It’s equal parts emotionally devastating and intellectually satisfying. If you’re a fan of intricate mysteries and gut-punching twists, this case isn’t just going to impress you, it’s going to live rent-free in your mind forever.
But don’t take my word for it (well, okay, do, since you’re reading my review). This case’s reputation precedes it. If you’ve played it, you know. And if you haven’t…well, let’s just say, the bar for storytelling in murder mystery games is about to be set unreachably high.
//Let's dive in!
//Let’s be real: by this point in time, you’re knee-deep into this game, so many are dead, and you know something’s about to go down with Nagito Komaeda. The ominous buildup and his increasingly unhinged behavior practically scream, “Buckle up, this is gonna get wild.”
//So when you eventually stumble upon his body, it’s not exactly shocking that he’s the victim. What is shocking, however, is everything else about this chapter. The setup, the stakes, the twists, and oh boy, the absolutely brutal state of his corpse. Seriously, if you thought previous trials in this game had upped the ante, Chapter 5 snaps the bar in two and sets it on fire for good measure.
//The setup alone is chaos incarnate: Nagito has hidden bombs around Jabberwock Island and cheerfully announces that if they go off, the entire island and everyone on it will sink straight into the ocean. Naturally, this sends the remaining students—Hajime, Chiaki, Fuyuhiko, Akane, Kazuichi, and Sonia—into panic mode as they scramble to defuse them.
//Just when they manage to avert what feels like certain doom, they discover a warehouse is suddenly engulfed in flames. Conveniently (or suspiciously?), fire grenades are nearby, and the group decides to toss them into the inferno in an attempt to extinguish it.
//Crisis averted, right?
//Wrong.
//When the smoke clears, they find Nagito’s lifeless body inside, and it’s unlike anything the series has thrown at you before.
//Let’s talk about that body discovery scene because…wow. Danganronpa doesn’t shy away from gruesome, but Nagito’s death takes the cake. His body is covered in cuts, there’s a knife stabbed straight through his right hand, and, as the pièce de résistance, a massive spear is impaled directly through his chest. It’s horrifying, grotesque, and easily one of the most graphic and unforgettable discoveries in the entire series. If you’re not audibly gasping by this point, you might need to check your pulse.
//But here’s where things get really interesting: despite being the victim, Nagito is also the villain of this chapter. His death isn’t just the result of some random grudge or desperation; it’s an intricately planned act designed to manipulate and torment everyone left alive.
//It’s peak Nagito. Brilliant, twisted, and utterly maddening.
//I don't know if I can talk about Nagito himself without repeating things that I've already said, because he’s come up multiple times in this countdown already (and spoiler alert, he’s not done yet), and for good reason.
//Calling him "memorable" feels like the understatement of the century. This guy is the embodiment of chaos, and his very existence has transcended the game to become a full-blown meme.
//But there’s a reason for that: Nagito isn’t just weird; he’s fascinating. He’s the kind of character who sticks in your brain long after the credits roll, equal parts horrifying and hypnotic.
//What makes Nagito so unique is his complexity. On the surface, he seems like an unassuming guy with a fairly mundane talent. But peel back the layers, and you’ll find one of the most manipulative, unsettling, and downright creepy characters in gaming history. His self-loathing is palpable, but it’s overshadowed by his ability to twist every situation to his advantage, or just to create absolute bedlam at ease.
//He’s so committed to his warped version of "hope" that he’s willing to employ the most extreme, morally dubious methods to achieve it. In many ways, he’s the second game’s true antagonist, even if he doesn’t fit the traditional mold. Fuck Junko and Izuru.
//And Case 5 is essentially Nagito’s magnum opus. It’s the culmination of everything that makes him such a standout character: his intelligence, his unpredictability, his disturbing charisma, and his willingness to do whatever it takes, even die, to prove his point. The result is a chapter that feels less like a murder mystery and more like an elaborate psychological chess match.
//So, while Chapter 5 might technically be about solving Nagito’s death, it’s really about unraveling Nagito himself. His influence permeates every aspect of the case, making it one of the most unforgettable and genre-defining moments in Danganronpa history.
//The investigation is okay, but again, as I said for 1-2, it's how they all culminate into the trial that it really works, so let's not waste any more time, and actually get into talking about that.
//For starters, I want to say that the pacing of this trial is BRILLIANT. Every twist and turn feels meticulously timed to keep you on the edge of your seat, while the ideas introduced all tie into the case’s central themes, on top of being innately shocking.
//When the students first discover Nagito’s body, the sheer brutality of the scene makes it look like he was tortured for information before being killed. There are cuts all over his body, a knife impaled through his hand, and that massive spear skewering his chest like the world’s most horrifying centerpiece. It screams “murder most foul,” and naturally, the students start theorizing about who could’ve done something so horrific.
//But quickly, they realize that it wouldn't make sense for someone torture Nagito for information if his mouth was duct-taped shut. Though Kazuichi especially argues for it, that one little detail flips the entire narrative on its head. If he couldn’t speak, then the torture couldn’t have been for interrogation.
//The students realize this, and their next leap in logic is to suspect that maybe Nagito wasn’t murdered at all. What if he orchestrated his own death?
//After all, this is Nagito we’re talking about, a guy who thrives on chaos and has a disturbingly cavalier attitude toward his own life. Using the rope attached to the spear, it seems plausible that he could’ve rigged a setup to drop the weapon onto himself, making it look like an elaborate suicide.
//This is...somewhat true. But in true Danganronpa fashion, the obvious answer is never the correct one. The suicide theory falls apart under closer scrutiny, leaving the students, and the player, scrambling for answers.
That’s when the horrifying truth comes to light, and boy, does it hit like that fire truck that killed Celeste.
//Nagito set up the scene so that the warehouse he died in would catch on fire once the students opened the door. To get through, the rest of the group grapped a bunch of fire grenades to put the fire out, and all of them grabbed at least one, and threw it into the flames.
//However, this single act causes them to plummet head first into the trap that had been set for them.
//Nagito, ever the agent of chaos, actually rigged one of the fire grenades with lethal poison gas. When the students threw the grenades to extinguish the warehouse fire, one of them tossed the poison grenade, dispersing the gas and killing him. Suddenly, what seemed like a murder mystery or a suicide case becomes something far more twisted.
//And here’s the kicker: nobody knows who threw the poison grenade. Not even the person who actually did it!
//By mixing the poison grenade with the others, Nagito ensured that the identity of his killer would be COMPLETELY RANDOM. This wasn’t just a murder; it was a gamble, a deadly game of Russian roulette where none of the participants even knew they were playing. As I said it’s the kind of mind-bending twist that only Danganronpa could pull off, and it perfectly encapsulates Nagito’s philosophy of chaotic hope.
//Monokuma obviously knows which student threw the poisoned grenade as well, and obviously, if the students get it wrong, they are ALL SCREWED.
//The brilliance of this setup is how utterly hopeless it makes the trial feel. Class trials are all about deduction, piecing together clues, and eventually uncovering the truth. But how do you solve a case where even the killer doesn’t know they’re the killer?
//For the first time in the series, it feels like there’s no way forward, no light at the end of the tunnel. The murder is, quite literally, impossible to solve using traditional methods. It’s a masterstroke in subverting the player’s expectations while also reinforcing the themes of despair and uncertainty that define the series.
//This moment also highlights why Nagito is such a standout character. Only he could come up with something so convoluted, so meticulously planned, and yet so chaotic at its core. He turns the class trial, a system designed to uncover truth and punish the guilty, into an instrument of despair.
//By making the killer’s identity random, Nagito forces the group to confront the idea that justice might not always be attainable. It’s a chilling reminder of how far he’s willing to go to prove his warped ideals about Hope and Despair.
//Thematically, this case is a perfect storm. It pushes the students to their absolute limits, not just intellectually but emotionally as well. How do you come to terms with a murder that has no clear perpetrator? How do you move forward when the very foundations of the game’s rules have been shaken?
//The trial becomes less about solving the mystery and more about grappling with the moral and philosophical questions it raises. It’s a level of depth and complexity that sets it apart from anything else in the series.
//Of course, this wouldn’t be a Danganronpa trial without a good dose of drama and tension. Watching the students wrestle with their guilt, fear, and confusion as they try to piece together the puzzle from start to finish, and then reach the absolutely horrifying situation they land in, is both heartbreaking and riveting. The stakes, genuinely, never reach higher than this, and the outcome feels completely uncertain and TERRIFYING.
//By the time the truth is revealed, you’re left in awe of the sheer audacity of the writing. It’s the kind of storytelling that leaves a lasting impression, long after the game is over.
//Ultimately, what makes this so effective is how it combines narrative brilliance with gameplay innovation. It’s not just about what happens, but how it makes you feel as a player. You’re questioning everything you thought you knew about how these trials work. It’s a case that breaks the rules, challenges your expectations, and delivers a story that’s as thought-provoking as it is shocking.
//But if you thought we were done, no, we aren't quite yet. What comes after this kicks the trial into a, somehow, HIGHER gear.
//Despite Nagito’s seemingly impossible-to-solve murder, the students DO manage to piece together the truth. And the resolution is haunting, depressing, and brilliantly layered, as it ties back to one of the game’s longest-running mysteries:
//The identity of the traitor.
//Monokuma drops the first breadcrumb early in the story, mentioning that the island was prepared for specifically 15 students but somehow, this group ended up with 16.
//This anomaly immediately plants the suspicion that one of the students is a traitor working for, what we eventually discover, is the supposedly evil "World Ender Organization." It’s a mystery that looms over the entire game, and Nagito, being Nagito, becomes obsessed with uncovering the truth.
//This obsession drives much of Nagito’s increasingly erratic behavior. His bizarre stunts, from his cryptic speeches to the explosive warehouse gambit, are all rooted in his desperation to expose the traitor. Though his motives aren't quite what they seem.
//The events of Chapter 5 are essentially his ultimate gambit for this mission: an elaborate plan to force the traitor to reveal themselves by staging an unsolvable murder.
//But this isn’t just about solving a mystery. Nagito, in his twisted logic, decides that sacrificing himself is a small price to pay if it means exposing the traitor and their connection to the World Ender. If everyone else has to die as collateral damage? Well, that’s just fine with him. It’s peak Nagito, both brilliant and horrifying.
//But...if this plan is at risk of killing everyone, and the poisoned grenade was thrown by a random person, how exactly was it supposed to work?
//What makes this trial so exceptional is how it builds on a recurring theme in Danganronpa 2: the way characters use their Ultimate Talents to achieve their goals. Each case in the game showcases this idea in unique ways.
Teruteru uses his cooking skills to conceal a murder weapon.
Peko exploits her swordsmanship to stage a clever escape.
Mikan manipulates her role as a nurse to fabricate an alibi.
Gundham weaponizes his hamsters to immobilize his victim.
//But this trial falls into this theme while also switching it up, by making the victim the one who uses their talent to manipulate the outcome. And Nagito’s Ultimate Lucky Student talent once again takes center stage, and its application here is as ingenious as it is unsettling.
//Nagito’s luck is unlike Makoto’s relatively tame version in the first game. It’s tangible, almost supernatural, and eerily consistent. Whether it’s winning a game of Russian Roulette with an almost fully loaded revolver in Chapter 4 or orchestrating the chaos of this trial, Nagito’s luck always seems to tilt events in his favor, even when it’s to his detriment.
//This trial showcases his mastery of his talent, as he uses it to create a scenario so convoluted that solving it requires an extraordinary leap of faith. It’s a testament to how his character embodies the unpredictable nature of luck, both as a tool and as a weapon.
//When the students are left with no other options, Hajime proposes a bold theory: the person Nagito was targeting with his poison grenade must be the traitor. With the clock ticking and no clear path forward, the group takes a gamble and calls for the traitor to reveal themselves. And here’s where the trial delivers one of its most gut-wrenching twists.
//Instead of the group uncovering the traitor through deduction, the traitor steps forward voluntarily. It’s Chiaki Nanami, the Ultimate Gamer and a beloved figure in the story.
//Chiaki’s betrayal is particularly heartbreaking because of how central she’s been to the trial system in Danganronpa 2. She is effectively Hajime's equivelant to what Kyoko was for Makoto, being his closest ally, and often providing critical insights and support during investigations and debates. Her calm demeanor and love for her friends make her an endearing presence, so her reveal as the traitor feels like a betrayal not just to the characters but to the player as well.
//Even if I've always felt Chiaki might be a bit overrated, it’s hard not for me to feel a pang of sadness as the truth comes to light. And yet, this reveal also solidifies the brilliance of Nagito’s plan. His twisted methods worked: he exposed the traitor, even at the cost of his own life.
//Genuinely, the reaction to Chiaki stepping forward as the traitor is one of the most soul-crushing scenes in the game thus far, and for good reason.
//Chiaki is the most perfect candidate to play the role of the final killer in this game, because she’s the one student on the island that everyone universally adores. She’s the epitome of the "can do no wrong" character. Which for me personally, is something I've never liked about her, but it does work in the buildup to this revelation.
//She’s sweet, dependable, and always there to lend a hand during trials with her sharp insights and calm demeanor, just as her supposed "father" Chihiro was. The same applies to Kaito in V3, as he's the universally loved wildcard who shoulders a heavy emotional weight heading into the endgame.
//So, when Chiaki confesses to being the traitor and asks the group to vote for her so they can save themselves, her classmates react in the most predictable way possible: absolute, unrelenting denial.
//Instead of nodding grimly and doing what needs to be done like every other time, they outright refuse, dragging their heels like stubborn toddlers who don’t want to eat their vegetables. Watching this unfold is both heartbreaking and oddly hilarious, as it highlights just how much the group collectively loves her.
//Hajime, bless his poor, conflicted soul, finds himself in the unenviable position of having to convince the group to face reality. This includes arguing against everyone, particularly against Sonia, who is especially resistant to the idea.
//Imagine trying to sell an unflattering truth about someone universally beloved while standing in a room full of people who would rather rewrite history than accept it. That’s exactly what Hajime has to do. Everyone goes to great lengths to deny Chiaki’s guilt, even twisting their earlier testimony to absolve Chiaki, and it’s like watching a courtroom drama where the defense lawyer loves their client so much they’re trying to argue the laws of physics out of existence.
//What makes this sequence so powerful is how the game adjusts its tone and pacing to reflect the emotional gravity of the situation. The trial’s usual high-energy minigames, complete with intense, upbeat tones and kickass music, suddenly shift into something quieter, heavier.
//Take Sonia’s Rebuttal Showdown, for instance. The usual sword-clashing music is replaced with a somber track, setting a melancholic mood. This silence isn’t just an absence of sound, it’s a deafening reminder of the emotional stakes at play.
//Even Hajime’s iconic "No, that’s wrong!" line is replaced by more desperate, sorrowful dialogue, hammering home the fact that despite arguing against, her, he, above EVERYBODY ELSE HERE, wants to accuse Chiaki THE LEAST.
//But he knows he must. She’s essentially asking him to kill her so that the others can live, and he’s left with no choice but to comply. It's tragic, raw, and incredibly effective storytelling.
//As if the emotional gut punches weren’t enough, the trial then drops a bombshell about the overarching narrative: the Future Foundation, which had been framed as the antagonist group, are actually the good guys. Chiaki and Monomi, as their representative, was working against Despair all along.
//This twist retroactively reframes the story, making Chiaki’s betrayal feel even more bittersweet. Monomi’s steadfast support of the group also takes on a new light, as her actions were driven by a desire to protect them, not manipulate them like they all believed. It’s the kind of twist that makes you sit back and rethink everything you’ve assumed about the game up to this point.
//And then there’s Nagito, whose insane brilliance looms large over this trial. At first, his actions seem designed to expose Chiaki as the traitor and ensure her execution. But after the trial, it becomes clear that his motives were far more complex, and arguably even more unhinged.
//After discovering that the other students were former Remnants of Despair, key players in Junko Enoshima’s plans, Nagito developed an intense self-loathing and a burning hatred for his classmates that completely paralleled his initial admiration of them. In a bizarre twist of logic, he decided the traitor was the only good person among them and concocted this elaborate trap to ensure their survival.
//Nagito’s plan, of course, hinges on his Ultimate Luck, which he uses to make the trial seemingly impossible to solve, and his hope was that Chiaki, as the traitor, would survive by default while the rest of the group received a wrong verdict and were executed. It’s a plan so convoluted and morally dubious that you almost have to admire the audacity of it.
//However, it’s also hilariously short-sighted upon reflection. Killing everyone except Chiaki would have effectively handed victory to AI Junko, whose goal was to plunge the world into even greater Despair. Of course, Nagito had no way of knowing that, but it's still funny to think about that had Hajime and Chiaki not been able to stop his plan, Junko would have won.
//In hindsight, Nagito’s plan might seem downright idiotic, but it’s this blend of genius and madness that makes his character so compelling. The sheer absurdity of his actions adds a layer of dark humor to the trial, even as the emotional stakes reach their peak. It’s a masterclass in how to balance tension, tragedy, and character-driven storytelling.
//The effectiveness of this lies in how it forces you to confront uncomfortable truths. Chiaki’s true identity, Nagito’s madness, and the group’s denial all intertwine to create a narrative that’s as heartbreaking as it is unforgettable.
//It’s a rollercoaster of emotions, packed with twists and turns that redefine what a Danganronpa trial can be. If the goal was to leave a lasting impression, this chapter more than delivers. And let’s be real: who doesn’t love a trial that combines emotional devastation with a side of absurdity?
//The revelation that Chiaki unknowingly threw the poison grenade ties everything together in a tragic bow. The class trial’s conclusion sees Chiaki and Monomi executed in a sequence that’s as heart-wrenching as it is inevitable. Nagito’s gamble paid off, but at what cost?
//The fallout from this trial leaves the remaining students reeling, their hearts shattered and their resolve tested like never before. It’s a moment that defines the series, not just for its shocking twists but for its emotional depth and philosophical complexity.
//What makes this trial so effective is how it uses every element of the Danganronpa formula to maximum effect. The mystery is intricate and satisfying, the stakes are sky-high, and the emotional weight of the characters’ decisions is palpable.
//It also serves as a perfect showcase of how the class trial system can be manipulated. This concept is revisited in Danganronpa V3, where Kokichi and Kaito pull off a similar stunt to challenge Monokuma’s control.
//I want to end this review by going over basically all the key points of why this trial is amazing, even though I have already done some analysis here already, and I admit, a lot of this will be repeating myself.
//But to make this review as official as it can be, I need to make sure the information is presented well. I can break down why this trial is fantastic into 5 main catagory's.
#1: This trial massively subverts the formula.
//The Danganronpa series has a well-established formula: a murder occurs, the class investigates, a culprit is identified, and they’re executed. Rinse and repeat, right? It’s a satisfying loop for those who love unraveling mysteries and piecing together evidence, but just as you start to feel like you’ve cracked the game’s rhythm, this trial throws an absolute curveball.
//The Danganronpa series thrives on its formula of uncovering killers, but Case 5 in Goodbye Despair flips the script in spectacular fashion. Instead of a straightforward murder, it begins with what looks like a suicide, leaving players and characters scrambling to make sense of Nagito’s maddeningly intricate setup. With no clear culprit, the trial forces you to rethink how cases are solved entirely.
//Nagito’s genius lies in using his Ultimate Luck to orchestrate an elaborate plan where every clue feels like a trap. By staging his own death and planting conflicting evidence, he creates an unsolvable mystery to expose the traitor among his classmates. This subversion of expectations turns the investigation into a mental labyrinth, testing the player’s logic like never before.
//The trial doesn’t just break the usual flow; it’s a deep dive into Nagito’s twisted obsession with hope and despair. His plan, theatrical and chaotic, challenges everyone to grapple with impossible choices. It’s peak Nagito—equal parts brilliance and insanity.
//Speaking of...
#2: Nagito’s Genius and Madness
Nagito's role in Case 5 is nothing short of mind-bending, as he masterfully pulls double duty as both the victim and the mastermind. Only Nagito could turn his own death into a trap, complete with poison, a fire grenade, and a spear, because why use one method when you can use three and confuse everyone in the process?
//It’s a move that’s equal parts genius and absolutely unhinged, perfectly reflecting his complex character.
//What makes this setup so effective is how it’s not just a murder but a moral battlefield. Nagito’s goal isn’t just to die but to force his classmates to uncover the identity of the traitor hiding among them. This escalates the already high stakes into a psychological tug-of-war, where trust erodes and tensions boil over.
//Nagito’s twisted ideals of hope and despair come to life in this trial, making his actions as brilliant as they are baffling. His chaotic orchestration is both a testament to his intellect and a reminder that, in the world of Danganronpa, no situation is ever as simple as it seems, especially when he is involved.
#3: Chiaki's Death
//Chiaki's reveal as both the killer and the traitor is an emotional wrecking ball disguised as a plot twist. Up until this moment, Chiaki has been the group’s rock, dependable, sweet, and seemingly incapable of harm.
//Learning she’s the traitor completely flips the script, forcing one to rethink every smile, every piece of advice, and every moment of quiet solidarity they’ve shared with her.
//It’s like finding out your favorite cozy sweater has been secretly plotting against you this whole time. The twist doesn’t just pull the rug out from under you; it sets the whole floor on fire.
#4: The Complexity, the Detail, and the general Presentation
This trial is a masterclass in making players second-guess everything they thought they knew. From unraveling how poison ended up in a fire grenade to deciphering Nagito’s absurdly elaborate setup, the mechanics of this case are both brain-bending and deeply satisfying.
//Every tiny clue matters, and the game’s pacing doles out twists like it’s hosting a plot twist buffet, except every dish leaves you more anxious than the last.
//The atmosphere is dialed up to eleven, with every element working in perfect harmony to mess with your emotions. The ominous tension builds like a slow-motion train wreck you can’t look away from, and when the trial reaches its devastating crescendo during Chiaki’s execution. It’s the musical equivalent of someone punching you in the soul, ensuring the emotional impact of this case lingers long after the trial gavel falls.
And #5: The Themes and Emotional Impact
//Nagito's actions are the embodiment of his twisted mantra: hope born through despair. His scheme is a masterstroke of chaos, forcing the group to grapple with betrayal, sacrifice, and their commitment to surviving together.
//Chiaki’s tragic death serves as a painful but pivotal moment, galvanizing the group to push forward despite their grief. It’s a gut-wrenching reminder of the game’s central theme: even in the bleakest moments, hope can still shine through, though it might leave you sobbing into your controller.
//Unraveling Nagito’s convoluted plot is satisfying on an intellectual level, but the real punch comes when you realize the cost of discovering the truth.
//Chiaki’s confession, laced with bittersweet acceptance, and the group’s collective sorrow turn the courtroom into a theater of heartbreak. By the end, you’re not just grappling with the logical fallout of Nagito’s manipulation, you’re left questioning your emotional capacity to survive the gauntlet of despair Danganronpa throws at you.
//And...that's about it. There really isn't that much to say that hasn't been said already. Ultimately, this trial is the most series-defining chapter in Danganronpa history, and every other trial should stand by its example.
//It encapsulates everything that makes the series special: the blend of hope and despair, the unpredictable twists, and the deeply human conflicts at its core. It’s not just a murder mystery; it’s a philosophical puzzle, a character study, and a testament to the creative heights of the genre.
//No wonder it stands tall as one of the best moments in the series, if not its crowning achievement. And personally, I do believe that it's hands down the best case in the entire franchise.
//...
//Except for one...
#danganronpa survivor#danganronpa#ranking#danganronpa 2#dr2#mod talks#chiaki nanami#nagito komaeda#hajime hinata#fuyuhiko kuzuryu#akane owari#dangancember 2024
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Video Game Roleplay and Why I Loved Balloon SMP
So I am a bit late to this party, but have just finished watching through a full set of VODs for the Minecraft Balloon SMP through woops' POV. I absolutely LOVED it. I saw bits and pieces about it while it was on-going but wasn't able to catch enough of it at the time to get as engrossed as I had recently after watching through the wonderfully edited videos (by JillTime) on woops' YouTube channel. Starting out with the edited videos, I was under the impression it was going to be a fun, silly large scale Minecraft SMP run with a bunch of people and a Balloon theme. As it started to go on, it started to click that this was going to run deep and hit hard. I’m going to dig much more into the plot and story beats in other posts, but I really want to highlight is the Roleplaying environment the players were put in. I had seen someone describe it like a Tabletop Roleplay system like Dungeons & Dragons, but this hits what I prefer roleplaying in more, Sandbox Video Games and Roleplay. I have spent a lot of time over a decade roleplaying through video games. The top example was a heavy roleplay in a Half-Life 2-based environment using Garry’s Mod. Sandbox games are perfect to give players an environment to properly thrive in and explore their characters and others without overt restrictions. Balloon SMP was able to do this amazingly with Minecraft. Using a wonderful basis for plot with a great end goal and deadline, and then doing amazing improvisation was amazing. It never felt manufactured or forced, and the wonderful team running it did great to let the players do what they felt was right. The best thing was the nudges and ways of pushing the players to see how they reacted instead of telling them how to react. It’s always been my experience in roleplay in general to never tell someone how to feel, but instead to give them a reason to feel a certain way. They may not react the way you expected, but you now have a change that you can work with and explore. This was a sort of ramble, but I needed to at least get this down because holy shit it’s been a long time since I’ve seen such a wonderful example of video game roleplay and I am just enamored by the whole thing. I’ll definitely post more on this and my thoughts as I get them organized.
~ Eny
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I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha
I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.
I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.
It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.
Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?
And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.
The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.
These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?
Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.
The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.
After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.
#It's not that I think everything has to be character driven or take a lot of care about dynamics#Death Note for instance works well without it. There's juice in the dynamic between Light and his father and the role of Matsuda there#and it works well with Light's views and their evolution and the whole Kira situation. It isn't much. It doesn't need more#But Death Note doesn't truly drop something as big as Gojo and Megumi to then do barely nothing about it#('But L and Watari' not the same at all. That was deepened in the anime and besides Watari is not one of the main characters)#Or Megumi and his sister. If we see barely nothing of Megumi and his sister other than shiny flashbacks of her#how am I to feel moved by it all beyond superficial emotions? I don't know. It just feels so like cardboard to me#And it annoys me! It annoys me a lot! Because Jujutsu Kaisen has amazing potential! The dynamics and characters could be amazing!#But I don't trust they'll live to their full potential and the potential existing for nothing is ruining this for me xD#Jujutsu Kaisen#Sorry this time I'm tagging it. I want to find this and see if I was right when I'm finished. I think I'll read the manga too#The condescending filler breakfast comment by my friend was ironic considering the Kramer vs. Kramer breakfast scenes exist#Breakfast can be so telling. And besides he loves the Chainsaw Man coffee scene so I don't get why not breakfast#But truly some small daily life moments can tell us a lot about a character that we could recognise later on in high stakes scenes#such as how they deal in tense situations‚ what makes them snap#how they go about dealing with a problem.#Sometimes it could be smaller moments or conversations what makes characters reconsider things‚ not just having Sukuna rip their heart out#In Pandora Hearts the conversation between Elliot and Oz about the book series they love and their favourite characters becomes key#Oz's development and how he regards things‚ his own person‚ and how he deals with situations will be shaped later on by this conversation#till the very end. The entire main character's development is shaped by a 'filler' conversation.It's not filler. It's just not a fight scen#Shonen manga readers find everything filler except for fights which is ironic considering that many fights in shonen feel unnecessary#Breakfast is unnecessary. Just filler. Fighting thirty seven secondary monsters or chapter after chapter of physical training is not. Okay#Things can be small but plot relevant. If it shapes and fleshes out and deepens a character or a relationship it is not filler#And mainly MAINLY for the love of everything good if you're going to make a fucked up or Meaningful Beyond Everything dynamic#give it time and care. Actually write it. Don't give me two panels and one conversation after some life and death situation. It's not enoug#Especially if I'm to believe they are important. Make me believe they actually are#I don't know... This issue with not trusting the development of very well set potential in Jujutsu Kaisen#has not only been keeping me from thoroughly enjoying the series‚ but actively keeping me from watching for weeks#It makes me doubt if I want to spend my time in this at all since after all time is limited and we can but spend it in a handful of things#A pity. I really love some things and I really think Megumi and Gojo could be everything to me haha the Heathcliff/Hareton vibe gets me
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I have a big google doc thing where I keep track of media and stuff (putting everything in loosely ranked categories), which is mostly just for my own reference so I know what tv shows I've already seen before, etc. and I never really look back through it, typically just a quick "okay, watched two movie in the past 8 months, need to quickly slap them somewhere in the lists. okay. done. save document. exit". But today I was actually reading through some of the old notes and there are like... MULTIPLE places where my comment is basically "It would have been good if it were about elves" or "I wish there was a fantasy show made in this same style" or "It's well made, but I just keep thinking about how I would like it more if everyone was an elf or was in old 1700s costumes" or etc like...... lol.... Most biased media ranking system on earth blatantly made by someone with an extremely hyperspecific range of narrow interests. It'd be like if a food reviewer only had 5 foods they actually liked, so they'd just go to a pizza place and be like "eh, the pizza was okay, but I just think it would be better if it was cereal instead. :/ ...2 out of 10"
#Which.. I mean... I am allowed to be biased because literally it's just for my own personal reference (or occasionall#y to send to friends or something if we're discussing the topic) so like.. nowhere am I saying 'I am the god of perfect taste and these#rankings are objectively the absolute truth and everyone should have my same opinion' or anything#BUT still.. it's funny to me sometimes#'Succession would be 100x better if it had the same cast/character quirks and shaky camera style and#acting choices/weird dialogue and general concept etc. EXCEPT it takes place within an elven noble family or something#managing the family business and everyone is in fantasy costumes now'' like.....okay...... but it's NOT that way..soo... thats not the show#''I like the acting style/general tone of Fleabag but i don't care for any of the characters or any of the subject matter and I wish it was#set in the 1800s and had vampires and was about magic instead'' okay..... again... you are making up an entirely new show in that case lol#OR my other beloved typical complaint ''The concept is good but theres too much plot and action and not enough people just sitting#around doing nothing and exposition dumping world and character lore'' ''this needs more goofy sideplots and filler episodes''#''this Drama was too dramatic I think it should be more lighthearted & people need to sit around doing nothing just being weird more often'#''the Action Movie was ok except for the action scenes - which I skipped through all of- but I liked the costumes and worldbuilding'' etc.#ERM sorry your plot has too much plot. also elves have to be included somehow. bye#BUT SERIOUSLY!!!!!! I literally genuinely believe that any show I like (or even dislike) could ALWAYS be improved greatly by#putting people in fantasy or historical costume/setting/etc... why the FUNK would I want to see bland jeans and cars and cell phones#when I could see elaborate velvet cloaks and fantastical landscapes and interior design and innovative takes on historical or#magical technology or etc. etc. etc. I LIVE in the modern day. I see it all the time!!! BORING! stinky!! boo!!!#ANYWAY... another social divide for me.. People love to bond by discussing media. which is hard when I'm like#'I literally will not watch something at all unless it fits into one of these 10 extremely specific categories which are all i care about i#the entire world''.. I say this and yet I still dislike most fantasy or historical things I've watched lol. ok TWO main criteria then!!#it must 1. be in a different world or time period. 2. be goofy silly. Nothing ever has BOTH. It's always overly serious boring drama action#fantasy/history stuff OR it's comedic lighthearted but with modern day characters... WHY.. anguish and woe and so on..#ANYWAY jhjnk... at least I can make that divide. Some people seem to project their own personal preferences and get really emotionally#defensive if you say you didn't like something - as if the fact that they DO like it is some Objective Truth or something rather than just#opinion/preference based. I can still easily say ''this is well made/well written/acted/good in a technical sense/has a lot of#points of appeal that most people would be drawn to/etc'' and admit that it's a GOOD show probably. I just PERSONALLY think its#bad because my tastes are very narrow. Some things ARE actually made badly but. things are not bad INHERENTLY just bc they dont suit ME lol#Better to recognize/accept whats odd about you and be peacefully aware of it than just being mad at everyone all the time for not fully#agreeing with you even when you're the one with the Weird opinion in that case lol.. I am right though :3 but.. lol... still. i get it
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thinking so heavily about my Gregory movieverse fic rn
#like i have so much of it planned out already but its like the beginning stuff#its set up to be a multichapter but like im not in the mood to write a long plotty fic#i just want to write vanessa and gregory but to do that they need to have a story to be in to have a gradual relationship....😭#maybe ill make it as toned down as i possibly can if im actually wanting to write it#like plot is very easy to digest aka not that hard for me to write#i usually love crazy plotty multichapters but eh not this time#rip ghosts of the futures plotty crazy ending where burntrap took over gregorys body to try and cheat death and live in a youthful body#pandas.txt
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getting an iced pumpkin chai in the morning and then my personal goal is to spend the whole day writing and i hope i can come back to this post tomorrow and rb w how much progress i’ve made!!!
#i have a love/hate relationship w this fic and i’m gonna rant to myself bc hehe it’s almost midnight so why not :>#okay SO. i for some reason just didn’t create any proper outline for this story and i think that’s why it’s taken me so long to write it#because i don’t necessarily have a why/a REASON for this story or plot… like even thinking abt doing the dialogue and trying to find flow +#cohesion is making me so 😐 and also honestly… i’m terrible at doing drafts in the first place#i don’t write linearly i jump all over the place while writing and SOMETIMES i can connect things but this time i could NOT#and i would focus on one tiny part for SO long and make no progress anywhere else like GIRL……… ENOUGH#but hmmmm yeah i also for some reason feel like esp w my writing it’s super robotic and doesn’t have emotion#like i’m not writing w suguru’s voice and instead i’m writing as the author and it’s kinda irking me#if that makes sense… hmmmm……….. also i might be doing dual pov so hopefully it doesn’t look too wonky#but yeah 😭 i need to work on scene setting & describing things effectively + doing show not tell#like i just made a mini outline rn and wow . it’s Not it at all 😭😭😭 there’s no WHY to the story and it’s making it hard to write#okay not necessarily a ‘why’ but like . What’s The Point of the story#sigh. i need to figure that out#also there’s so much stuff i want to add but i feel like it’ll be clunky + it’ll move fast or be weird#but my goal for tomorrow is truly and honestly write the meat and bones of it and then i can edit ruthlessly later on#i was thinking of getting it out this week but i forgot election week/don’t have anything really written either 😭#but hopefully next week if i try hard enough! the goal is before december bc i want this to be a november fic#but yeah that’s my mini vent @ me i’m glad to just talk abt in the tags#feels like for this story specifically it’s been a lot of looking at my docs instead of writing which is WHACK 🤨#also i don’t like my writing style + i want to write better in GENERAL#that’ll come w practice & doing it often though 😭#ALSO . SIDENOTE but why does tumblr not let me link things anymore like NDNDNDND SO STUPID#OOOOH AND . i need to start/finish selfship moodboards & also create wip lists for geto/gojo/toji but for REAL#as in wipe i’ll actually plan to write next not just ones i like the sound of 😭#ANYWAYS I’M SO SLEEBY……… honk shoo mimimi cult leader geto please pat my head to sleep and be kind to me#GIRL THIS IS LONG AS HELL OMFG . silence @ me 🤫 what a YAPPER#personal
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scientists are calling the situation "like if cortana sucked and was a gay knight"
#im thinking of my final fantasy ladies again. yknow. we have cortana and chief ladyinmyheadwhocallsmestudmuffin#theres venom and eddie too for a fleshy/physicalgoop m/m version#is there any f/f 'theres some fucking Guy in my head i need to listen to and they also advise me on how to kill better'.#or is this the exclusive service i need to provide. i can . i just want to know so i can stop callinf her gay cortana.#(Saw the aforementionned gay ghost-in-my-head knight in some old screenshots where she was in skintight-ish scifi gear)#(And i feel cool and fine remembering it. no wonder kirke went insane after losing her though)#(💎🫀<-rock in my chest telling me the 1000 year dragon war never ended <-me listening to the rocks bc my wife is in there)#anyways good morning! incomprehensible oc post time. startin new job today. i am doing this for my girls (purchase New Images of them Onlin#armour clanking#i need an oc tag#last night i refrained from a thousand word post about [Original Character Setting+Plot and Ending] but i can only hold back so much#at least i think the framework of ffxiv needs less explanation and bbbbrbrhrb nerves. save me knight women
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accountability post!!!!!!!!!! (in no particular order)
write 300+ words (that's how much i wrote yesterday and it's a much more realistic goal than 500 or 1000 given what i'm working on and i always like a goal where i am more likely to overperform than underperform lol)
edit #18 whumptober gifs (typo) ✅
make arcarm gifs ✅️
make phoomvicha gifs ✅️
make #19 whumptober gifs ✅️
answer asks ✅️
let's goooooooooooo
#i know that seems like a lot of gifs#but i've imported all the frames and that is frankly the hardest/longest/most arduous part#outside of sharpening (which i don't always do esp with big sets) and making sure they're under 10 mb lol#i have a new export default that helps without making them look like ass though#i think 1000 words a day isn't going to be as hard for the fic that i'm going to be working on#because it's wholly new and i can bounce around a little more and work on multiple chapters at the same time#since i'm not going to start posting until i'm at AT LEAST 30k#and the actual total will be anywhere between 50k to 100k#YEAH...........#it might just be 30k because there are some chapters that i haven't really plotted out yet#and i don't even know if we need All of them#without spoiling it's a parallel narrative and i haven't decided if i actually want it to go back and forth between narratives EACH chapter#so if i don't do that there might be less chapters#but also some chapters might be longer because of that? so who knows#however as an aside i'm going out of town for two weeks so i might not be able to write as much then. sigh#again though i think i'm going to be writing more than a thousand words every day because i can follow the inspiration#and work on any chapter i want if i get stuck#rum.txt
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What a good episode. Maaaaaan
#I can't even start I'd be here forever#It did take me in fact like one hour total to watch it lmoa. It sooooo good!!! The animation is very good#(albeit it's awfully low on brightness at times. But such seems to be the sin of lot of recent media unfortunately)#but I'm not even going to dwell on that. The plot / storytelling is so good. Sooooo god. I adore this arc.#Love the symbolism. I've been saying this for almost two years now (is it really been that long ever since these episodes came out... ) but#I want to write an analysis on the op & ed so baddd. The emphasis on the twilight this episode!!#Like the sun was setting on the detective agency. I love love love the hd. They're so cool in this episode and they're so cool in general.#I ADORE Jouno. I don't feel particularly strongly for sue/giku yet their scenes are so cute and funny. I see why people ship them.#Even Tetchou I don't usually care much about is so !!!!! I love all the hd so much fr!!!!!!!!!!#I love love love Jouno. Like much like it is for Akutagawa I'm very weak for characters that aren't really good people.#But they're still trying to be a better person than they were. And oftentimes they end up doing a terrible job!!#But the fact alone that they're //trying// has me ougheueueueu. Here in this episode you can see Jouno–#sliping very easily in his cruel / sadistic habits. But he is trying to be a person that cares for others! He made good actions in the past#and he will again in the future even though right now he's acting like this! Because improvement isn't linear! I love him tonsss#And DON'T get me started on the ada. Yosano's “Welcome” scene. I love women. I love women. Yosano please one chance#KENJI'S SCENE God I needed this. How could I forget the way this literllyyyyy rewinded my brain when I read the manga for the first time.#That scene is so deep and poignant and so so meaningful I. Oughhh#I am going to run out of tags am I not#Kyouka saving Atsushi!!!!!!! That scene is one of my all time favourites. It makes me soft to remember when the s4 trailer dropped–#I was so overjoyed for that bit of them holding hands :') Rightfully so!!! It's so cute.#Her coming back to save Atsushi. The “don't worry– I didn't kill them” direct towards Atsushi–#that is so so Akutagawa and it sends me insane hhhhhhgggggggggg#Kunikida!!!!! His “I'm not leaving anyone behind”!!!!!!!!!!!! I'm not precisely Kunikida's first fan but aaaaaahhh he makes me feel–#so much for him in this scene!!!!! Mmmhhh one last note would be. It bugs me a little how the ada is defined terrorist by the military–#forces starting this episode? I don't have space to elaborate properly but. An action to be considered terrorism must have clear political–#orientation and goal. Violence alone isn't enought to be defined terrorism. It's an incorrect use of the word#Up to the next episode!!! Can't wait to see more Atsushi 🥰🥰#random rambles#It's late now and probably most are asleep rn... Then I'll be queing my posts for tomorrow probably
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